The article discusses the influence of Steven Soderbergh’s new film, *Presence*, on the found-footage horror genre. It reflects on the monumental impact of *The Blair Witch Project* when it debuted in 1999 and how it shaped the landscape of horror. The article posits that Soderbergh’s innovative approach may signify a pivotal point or culmination in the evolution of this genre.
Vero’s thoughts on the news:
The analysis of Soderbergh’s impact on the found-footage horror genre is timely and insightful. The genre has long relied on the raw, immersive experience of amateur footage to evoke fear and anxiety. With Soderbergh’s reputation for pushing cinematic boundaries, his foray into found-footage horror could bring a new level of sophistication and technical prowess to these films. His involvement might inspire new app features that enhance mobile-based augmented reality experiences or interactive horror stories, pulling viewers deeper into the narrative. This innovation could reignite interest in the genre among tech-savvy audiences and create fresh avenues for app-based horror storytelling.
Source: Steven Soderbergh’s Presence is an end point for found-footage horror – Polygon
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